Libraries on social media: Creating communities of practice for sharing and communication

By Rida Noor Malik, Matihiko/Tech Support Librarian, Hamilton City Libraries| Te Ohomauri o Kirikiriroa librariesdigitalteam@hcc.govt.nz

The term ‘social media engagement’ has been described as click based participation (Gerlitz & Helmond, 2013) where users simply ‘like’ or ‘heart’ a post. But do the number of likes and comments actually show engagement? Students and librarians create an online community of practice when they visit academic libraries via social media to “share, discuss and learn” (Wenger, 1998, p.34). This translates to ‘engagement’ with the library, its resources and activities through social media.

Photo by Daria Nepriakhina on Unsplash

Several research studies measure the impact of the type of content on social media. Joo, Choi, and Baek (2018) explored the kinds of social media content that public libraries create for communication. Their sample of 4736 Facebook posts collected from 151 libraries across America were divided into ten categories. The results showed that promoting events was the most used category by all public libraries. For my research study, I collected three months of Facebook and Instagram posts from Auckland University of Technology Library and Massey University Library. When I analysed these posts, promotion was also the top category for both New Zealand academic libraries.

Promotion has always been a major focus of both academic and public libraries’ social media pages. However, promotional type posts can be combined with content which facilitates informal learning opportunities. These opportunities are a way of softly marketing that your academic library has a brand with a goal to promote research and share knowledge. Libraries can focus on creating content where students get opportunities to engage with librarians. For example, Powell Library at University of California goes beyond the occasional photo on Instagram and incorporates content that emerges from the curriculum (Salomon, 2013). If we look for an example closer to home, Massey University has recognized that Instagram can be a fun learning and teaching tool for them and their students. This is evident from the Kupu O Te Wiki (Word of the Week) posts which are focused on teaching Te Reo Māori (the Māori language). These posts got different types of comments, such as students thanking the library, asking for Te reo classes and general comments where people tagged other students (Malik, 2019).

There are many ways to educate users through social media because there is a rapid growth in online learning options. For example, Facebook groups can be used for asynchronous discussions which are helpful in holding group activities and online workshops. Libraries can also use participatory features of social media to start conversations, invite users to comment, or take part in polls to deliberately ask for user’s opinions, feedback and questions. This can be useful for engaging users in collection development, improvements to library spaces, and other operational activities. The response from users can help to determine the reputation of the library within the university (Mon, 2015).

Simply promoting services does not create a vibrant community of practice. When libraries use social media for mass communication, users become passive viewers instead of active contributors. Therefore, promoting conversations and knowledge sharing can help form a community that evolves naturally. For example, Hamilton City Libraries often engage with their library users in a humorous way but it has also opened up a window for getting feedback. According to Wenger (1998) a strong sense of community is important for building the trust needed to safely share opinions and ideas. Using social media while keeping in mind the communities of practice guidelines can provide a context in which to put the power of ‘sharing and communication’ to engage a community.

References:

Gerlitz, C., & Helmond, A. (2013). The like economy: Social buttons and the data-intensive web. New Media & Society, 15(8), 1348-1365. https://doi.org/https://doi.org/10.1177/1461444812472322

Joo, S., Choi, N., & Baek, T. H. (2018). Library marketing via social media: The relationships between Facebook content and user engagement in public libraries. Online Information Review, 42(6), 940-955. https://doi.org/doi:10.1108/OIR-10-2017-0288

Malik, R. (2019). Using social media for student engagement: A study of two New Zealand academic libraries [Master’s project, Victoria University of Wellington]. Te Herenga Waka. http://hdl.handle.net/10063/8201

Mon, L. (2015). Social media and library services. San Rafael, CA: Morgan & Claypool Publisher.

Wenger, E. (1998). Communities of practice: Learning, meaning, and identity. New York, NY: Cambridge University Press

Ko wai au? Who am I? Digital Identity for a career librarian

By Kim Tairi, University Librarian, Auckland University of Technology. Contact: kim.tairi@aut.ac.nz or on Twitter and Instagram

Know your Why

Image of Kim Tairi

As a career librarian I have always been an advocate for using social media to build robust and diverse professional and personal learning networks. I like to think of the networks that I belong to as circles of kindness and reciprocity.

This is my why. I use social media to learn, share and be part of communities of practice that are active in education, libraries, indigenisation and decolonisation and other issues I consider important.

Many of the people I have met virtually have gone on to become friends in real life. I am fortunate.

Private versus Open 

I use my own name and have an open account. I rarely get trolled and if I do, my number 1 rule is don’t engage. You owe trolls nothing and you have every right to block with wild abandon. 

My digital identity, that is, all the digital content that I have created and I am connected with, has grown organically. As an experiential learner, I like to play, make mistakes, try things and see what happens. This has led to some wonderful opportunities – conference papers, book chapters, speaking gigs and meeting incredible people.  

Twice, I have been asked to consider deleting a post by a workplace. However, I have never received an ultimatum to take-down content, it has always been a conversation. In both cases I chose to delete the contested content.  

I am always mindful that even with disclaimers about content and posts not being those of my employers, I am by reputation, associated with my place of work. If you are active on social media platforms, it is good practice to know your workplace social media policy and, recognise that your employer may look at the content you create with a different lens than you. 

Social media is performative  

As a senior leader in our profession, I acknowledge that I am always expected to display professionalism in public forums. I don’t always get it right but I try to be genuine, engaging, kind, creative, stylish and visible as an indigenous, intersectional feminist. I curate my content but try to be me at the same time.  

Social media is a performative space: for example my online persona is an extrovert and tall. I am not. That is why I call myself 1.58m of Awesomeness on Twitter! 

Actively manage your content  

Set up Google alerts and Google yourself regularly. This will enable you to check your digital footprint. Finally, be intentional, mindful and respectful and social media will serve you well professionally.  

You can find me online on Twitter and Instagram. Say kia ora!  

Day 3 of Championing the Digital Dexterity Framework Virtual Festival – The good, the bad and the ugly of digital identity and data

by Marianne Sato, Project Officer, Data, Digital Learning and Publishing, University of Queensland

Day 3 of the Championing the CAUL Digital Dexterity Framework Virtual Festival was all about Digital Identity and Data Literacy. We saw the good and the bad of digital identity and data.

The bad

Is your online activity a digital tattoo that you may come to regret and won’t be able to remove?

Terra Starbird (Digital Literacy Trainer) from Australian National University told us that “every single thing you do online is a digital tattoo.”  This includes work emails, private emails, social media, searches and purchases. We were horrified to see just how much Google knows about our lives – our relatives, friends, locations we visited, illnesses we looked up and our “celebrity crushes.”

A person with a tattoo spelt as “NO RAGRETS” across their chest.

Big data is a threat! 

Tools and apps can scrape all your online data and the data on your smartphone. Terra told us that corporations will pay to have employees’ online activity analysed to get an insight into behaviour, personality and intelligence. It can be “career ending.”

Raise awareness

Terra asked, “As librarians, should we be about helping people stem that flow of information?” Should we share tips and tools to check online activity, clean up where possible, protect private information and search anonymously? If we raise awareness of the data risks, and the ways to combat it, we can help our clients to make the most of their digital identities. 

The good

Social media has the potential to provide amazing personal and work opportunities.

Kim Tairi, Kaitoha Puka (University Librarian) from Auckland University of Technology showed us the importance of social media for librarians to communicate, build relationships, develop professional circles and “lift up the profession.” 

But it is not without risk!

Kim has chosen to be her authentic self rather than adopt a “brand” that shows an edited version. Kim explained that sometimes it has led to tears. Kim’s tips on making the most of social media include:

  • Plan – think about your goals and values
  • Stop and think
  • Be true to yourself and it will evolve over time.

Kim’s recommendations of Twitter accounts to follow that lift up the profession:

  • @janecowell8
  • @clauersen

Good use of data

Even though our data can be used in a way that threatens our privacy, there are also amazing, ethical uses of data. Data can be used to tell a story, visualise information and gain insights.

Masami Yamaguchi (Librarian), Brett Parker (Senior Programmer and Software Support Officer), and Amanda Miotto (Senior eResearch Analyst) from Griffith University introduced us to data storytelling. They teach researchers to “frame their ideas for their audience” using techniques and tools to create visualisations from their data and a narrative that leads to “memorable research.”

Charles Barnett (Library Business Partner, Design and Social Context) from RMIT University Library presented on the Work Integrated Learning (WIL) Project to explore a visual representation of searching activities of the RMIT Community. It was a great example of engaging their community and filling digital capability gaps.

Clayton Bolitho (Research Outputs Data Advisor) from La Trobe University demonstrated Tableau Public, a tool to “help people see and understand data.” At LaTrobe it is used to analyse resource usage, open access publications and to help researchers measure their research’s attention, value and engagement. Clayton recommends trying Tableau to get a better understanding of data.

Bruce White (Open Access and Copyright Advisor) from Massey University explained the value in having coding skills to pull in data to provide rich insights. Bruce learned Python “through a literal accident” and became involved in the Council of New Zealand University Librarians Open Access Environmental Scan in early 2019, to write an extensive program to pull in data from predominantly open sources that gave the universities rich insights into their performance. Bruce recommends to “start simple and invest time to learn the basics.” Check out Bruce’s book – Spreadsheets for Librarians : Getting Results with Excel and Google Sheets. 

The ugly?

All the sessions were about taking positive actions so there wasn’t actually any “ugly.” But special mention could go to:

•    Big data being used in unethical ways

•    Nemeses looking at your social media. Kim’s hot tip: You are being watched!


DigiDex – Championing the CAUL Digital Dexterity Framework – Day 3, Wednesday 3 February 2021

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