Lost in the Open Sea: Practical guidance for finding and creating inclusive OER

Ash Barber, Librarian and OER enthusiast

Do you ever feel kind of lost in the sea of resources out there, trying to figure out how to create or find high quality open educational resources (OER)? Those ones that tick all the boxes for great content and promote equity and inclusion?

Me too.

So I went on this trip.

The beginning

For a few years, I’d been peering curiously at the higher education world of North America, watching as they made leaps and bounds in progress towards creating OER that are steeped in concepts of inclusion, diversity, equity, and accessibility – and wondering how can we make these leaps here in Australia too? So, when the Libraries of the Australian Technology Network (LATN) announced a Fellowship opportunity to explore OER on an international study tour, I grabbed it and ran – well, flew – to that magical mystery land I’d been observing for so long.

The broad theme of the Fellowship project I proposed was the development of some kind of resource that curates other resources (a meta resource, if you will) to help Australian librarians better understand the identifying characteristics of OER which influence greater equity and inclusion in education, and to harness this knowledge to empower others to raise their marginalised voices.

The middle

Galvanised by a deep belief in this idea (and the narcoleptic superpower of dodging jetlag), in September 2022, I finally stepped foot in Los Angeles, ready to fangirl my way through a whirlwind two and half weeks of 21 meetings with 46 people I could. not. wait. to. meet.

I attended and met with a multitude of institutions that are home to many open education thought leaders across Los Angeles, Vancouver and Minneapolis, and held a number of incidental conversations along the way. Institutions included:

I am ever grateful to all the lovely humans who met with me for their generosity of time, wisdom and kindness.

The empowered future

These conversations informed the creation of EmpoweredOER (the promised meta resource), a website which helps practitioners wade through that open sea to find a set of resources, concrete examples, and guides curated to the Australian context. It provides a wider theoretical understanding of equitable education principles then grounds them in practical exemplars of OER that meet these needs. EmpoweredOER aims to help people who feel a bit lost amongst it all to find a solid set of parameters to work within.

The website uses the BranchED Equity Rubric for OER Evaluation as the framework for looking at individual aspects of OER with an equity lens.

Often when we talk about creating OER that are “accessible” we’re thinking about alt-text and screen-readers. That’s not a bad thing, but it’s just one step in the direction of access. It’s not thinking about “accessible” in the broader sense of cultural sustainability and multiple ways of learning. The Equity Rubric for OER Evaluation explores these deeper levels of access, but doesn’t give examples demonstrating concepts. EmpoweredOER builds on the Rubric to provide tangible examples found in the wild which help ground the (often high level) language and explanations.

Why is the site called EmpoweredOER?

I’m glad you asked!

OER empower because OER remove the barriers to publishing. In traditional publishing, you have a “gatekeeper” – the one who decides whose voice will be heard and what they’re saying. This necessarily marginalises some voices and elevates others. However, anyone can publish an OER. Anyone can get their voice out there, can tell their own story and not have their story told by others.

OER also afford the opportunity for students to be involved in the co-creation of new knowledge and to have their own voices represented, to see themselves reflected in the material they’re studying in the classroom. One of the great examples I came across in the US was this program called Open For Antiracism (OFAR) which trains teaching staff in antiracist pedagogical practices, including the use and creation of OER as a tool to this end. One of the problems the program addresses is that materials in the classroom don’t always represent the people in the classroom. An OER can be modified, adapted, become a collaborative piece in which students can see themselves and build a sense of belonging: They’re welcome here. This course is for them. They’re not on the outside looking in.

The call for support

If you’d like to learn more about EmpoweredOER, please tune in to my upcoming webinar Demystifying inclusive OER: Practical guidance for finding and creating equitable OER which I am co-presenting with Tanya Grosz from the Open Education Network. I also gratefully welcome any feedback on the website (its content, structure, usability) and any suggested resources to include.

You can get in touch with me at Ash.Barber@unisa.edu.au or follow me on Twitter @AshTheLibrarian.

RMIT Pride Week 2021 – How the Library supports LGBTIQA+ inclusion

By Frank Ponte AALIA (CP) Academic/Research, Manager, Library Services (Teaching), RMIT University Library, frank.ponte@rmit.edu.au 

Gender Spectrum collection image of 5 people representing the LGBQTI community

Photo in the Gender Spectrum Collection was taken by Zackary Drucker under CC-BY-NC-ND

In August this year, RMIT Library participated in University Pride week. A group of passionate individuals across the Library, and subsequently badged as the Library Pride Working Group, came together and tailored Library services exclusively for LGBTIQA+ students.
 
Due to lockdown, the group met online and used Teams to communicate and host weekly meetings, used planner boards in the O365 environment to track progress, and SharePoint to archive digital resources, documents and PowerPoint slides. This event was created and delivered within a four-week timeframe.

The service offering aligned with the Library’s sustainable and digital-first approach and included:
1. Introductory recording – outlining the week’s events 4:51 min
2. Live webinar – How the Library Supports LGBTIQA+ Inclusive Teaching. (Recording available internally only).
3. LGBTIQA+ Library Guide
4. Finding LGBTIQA+ resources in the Library’s digital collection and OER’s: 1:55min
5. Shared #RMITPride Spotify List
6. Online RMIT Pride Film Club – A selection of 5 online films in consultation with University Pride Committee with supporting online post-film group chats.  

The service offering was informed by the Ward-Gale model for LGBTQ-inclusivity in higher education. This model provided a clear best practice framework and cumulative approach to LGBTIQA+ inclusivity.  The model is defined by three pillars, moving from basic awareness to transformative practice:

  1. Pillar 1 – Language: This is how students will risk assess the safety of a situation. They will review the language people use and how they use it. It is also a simple way to make curriculum more inclusive. The inclusion of a statement in an online course shell about what constitutes abusive or discriminatory language is a great starting point.
  2. Pillar 2 – Role Models:  Heterosexual and LGBTIQA+ students value all staff being open about their sexuality. It gives them confidence that the institution respects LGBTIQA+ equality. For LGBTIQA+ students specifically, it establishes ‘safe’ people to talk to should they encounter problems.
  3. Pillar 3 – Curriculum Content: Ward and Gale found that failure to work with teaching materials that engage with diversity provides an environment where only some experience is valued. This is where open educational materials can assist. Because of the adaptable nature of these resources, it provides educators opportunities to be more inclusive in their curriculum design.
Ward-Gale Model for LGBTQ-inclusivity in Higher Education. Compares Language, role models and curriculum content against increasing awareness, additive approaches and transformative approaches.

Table 1: The Ward Gale Model for LGBTQ-Inclusivity in Higher Education by Dr. Nicola Gale: Source: Ward, N., Gale, N. (2016) LGBTQ-inclusivity in the Higher Education Curriculum: a best practice guide. Birmingham: University of Birmingham. Table reproduced with permission from the authors.

Learning and Future Focus:

  • The use of a best practice framework like Ward and Gale (2016) provided clear parameters to work within. The flexibilities that OER affords academic staff will be highlighted as ways to engage in LGBTIQA+ inclusion when developing curriculum content. Such as the inclusion of LGBTIQA+ images or selecting open textbooks.  
  • Due to the short timeframe in delivering the Library service offering, the working group relied on the goodwill of colleagues as volunteers. To be truly representative and reflect the diverse genders, sexes and sexualities’ of the institution, there needs to be a concerted effort to recruit a diversity of skills, perspectives, and voices.
  • RMIT University is proud to support the staff and students within our community who identify as lesbian, gay, bisexual, transgender, intersex, queer/questioning or asexual/agender (LGBTIQA+). An important aspect of why we deliver library services is to reflect belonging, inclusion and diversity. In this regard, the LGBTIQA+ student voice is a critical inclusion that will reflect the future library service offering.
  • In 2022, the Library’s physical spaces will be utilised to host events to foster student belonging and inclusion. A key part of engagement with the Library is to ensure that students are aware of the Library’s physical resources as well as its digital. To ensure there is a connection, the Library will use QR codes to seamlessly transition library users from their physical location to the digital.
  • An important aspect of belonging and acknowledging the past is by collecting, preserving and celebrating the institution’s history. RMIT Archives will be an important partner in the future to chronicle an accurate picture of the University’s LGBTIQA+ story.

In conclusion, the Library Pride working group showed passion, commitment, and managed to deliver a varied and successful program. This will be the underpinning of a successful Pride event in 2022.  


Delighting in diversity in the digital domain

By AJ Penrose, Multimedia Developer, Digital Learning, RMIT University Library. Contact: amanda.penrose@rmit.edu.au

The world might not actually be any more diverse than it’s always been, but goodness, doesn’t it seem that way?! Thanks to increased visibility, advocacy and celebration of our differences, diversity has become an important part of our digital lives.

retro housewife waves at husband and child from kitchen doorway

Fortunately, we’re becoming more aware that what we see around us shapes our expectations of society. We’re getting better at representing diversity (it’s been a while since I’ve seen a white, tie-wearing male kiss a housewife goodbye as he heads to the office… WandaVision excepted!) but we can do a lot more.

Image by ArtsyBee https://pixabay.com/illustrations/retro-housewife-family-greeting-1321068/

Here are some examples of inclusive practices that you can incorporate into your digital projects right now.

Inclusive language

Use non-gendered and non-Western names for the characters in your examples and activities. Online baby-name lists are a fabulous and readily available resource.

Include they/them pronouns along with she/her and he/his. You can do this when the gender of the person you’re referring to isn’t relevant, when you want the sentence to be inclusive of all genders, or if you want to represent a character as non-binary.

Representation

Describe or illustrate your characters using diverse:

  • physiological or mental functional capacities
  • genders, sexes and sexualities
  • cultures and traditions
  • ages  
  • socio-economic backgrounds
  • body shapes, skin colours, hair and clothing choices

The great news is, with a little effort and a bit of practice, we can create inclusive, safe and welcoming digital environments, which benefit everyone.

Here are just a couple of screenshots from animations I’ve created recently. See if you can identify the ways I’ve included representation from the list above.

Note that diversity itself isn’t the focus of any of these projects, it’s just there.

Why not review the project materials you’re working on right now and have a think about how you’re representing diversity? If you can do more, go ahead and make a change today!