Crypto scams will increase over the holidays – here’s what you need to know to not fall victim

by Ashish Nanda, CyberCRC Research Fellow, Centre for Cyber Security Research and Innovation (CSRI), Deakin University; Jeb Webb, Senior Research Fellow, Centre for Cyber Security Research and Innovation (CSRI), Deakin University; Jongkil Jay Jeong, CyberCRC Senior Research Fellow, Centre for Cyber Security Research and Innovation (CSRI), Deakin University; Mohammad Reza Nosouhi, CyberCRC Research Fellow, Centre for Cyber Security Research and Innovation (CSRI), Deakin University, Deakin University, and Syed Wajid Ali Shah, CSCRC Research Fellow, Centre for Cyber Security Research and Innovation, Deakin University

We loved this article from The Conversation, originally published on 14 November 2022

Each year, as the festive season arrives, we must also keep an eye out for potential scammers trying to ruin the fun. This is because scammers become more active during the holidays, targeting us while we have our guard down.

So far in 2022, Australians have lost around half a billion dollars to scams, which is already significantly more than had been lost by this time last year. The majority of these losses – around $300 million – have involved investment or cryptocurrency scams.

Researchers from Deakin University’s Centre for Cyber Security Research and Innovation had a opportunity to interview recent victims of these scams. Here is what we found.

Anyone can fall for a scam

I was shocked and could not accept that this happened to me although I was very careful […] I was numb for a couple of minutes as it was a large amount of money. – (26-year-old female office manager from South Australia)

These scams have become highly sophisticated and criminals have become less discriminating about whom they target. This is reflected in recent victim demographics, showing a wide variety of backgrounds, a more even distribution across several age groups, and an almost even split on gender.

So, how can you spot these scams and where can you get help if you have fallen victim?

If it sounds too good to be true, it might just be a scam

I was dumbfounded, to say that ground shattered under my feet would be an understatement, it will take me a very long time to recover from it, financially and mentally. – (36-year-old female, legal practitioner from Victoria)

Most crypto scams involve getting the victim to buy and send cryptocurrency to the perpetrator’s account for what appears to be a legitimate investment opportunity.

Cryptocurrency is the currency of choice for this type of crime, because it’s unregulated, untraceable and transactions cannot be reversed.

Victims of such scams are targeted using a number of different methods, which include:

Investment scams: scammers pretend to be investment managers claiming high returns on crypto investments. They get the victim to transfer over funds and escape with them.

“Pump and dump”: scammers usually hype up a new cryptocurrency or an NFT project and artificially increase its value. Once enough victims invest, the scammers sell their stake, leaving the victims with worthless cryptocurrency or NFT.

Romance scams: involves scammers using dating platforms, social media or direct messaging to engage with you, gain your trust and pitch an amazing investment opportunity promising high returns, or ask for cryptocurrency to cover medical or travel expenses.

Phishing scams: an old but still effective scam involving malicious emails or messages with links to fake websites promising huge returns on investment or just outright stealing credentials to access users’ digital currency wallets.

Ponzi schemes: a type of investment scam where the scammers use cryptocurrency gathered from multiple victims to repay high interest to some of them; when victims invest more funds, the scammers escape with all the investments.

Mining scams: scammers try and convince victims to buy cryptocurrency to use in mining more of it, while in reality there is no mining happening – the scammers just make transfers that look like returns on the investment. Over time, the victim invests more, and the scammers keep taking it all.

Although methods evolve and change, the telltale signs of a potential scam remain relatively similar:

  • very high returns with promises of little or no risk
  • proprietary or secretive strategies to gain an advantage
  • lack of liquidity, requiring a minimum accumulation amount before funds are released.

Where to seek help if you’ve been scammed

I felt helpless, I didn’t know what to do, who to reach out to, I was too embarrassed and just kept blaming myself. – (72-year-old male, accountant from Victoria)

If you think you have fallen victim to one of these scams, here is what you need to do next:

  • inform the Australian Competition and Consumer Commission (ACCC) here or reach out to relevant authorities as per advice on the ScamWatch website
  • reach out to your friends and family members and inform them of the scam; they can also be a source of help and support during such times
  • as these events can have a psychological impact, it’s recommended you talk to your GP, a health professional, or someone you trust
  • you can also reach out to counselling services such as LifeLine, beyond blue, Sucide Call Back Service, Mens Line, and more for help and support.

If you ever find yourself in a difficult situation, please remember help and support is available.

Finally, to prevent yourself becoming the next statistic over the holiday period, keep in mind the following advice:

  • don’t share your personal details with people online or over a call
  • don’t invest in something you don’t understand
  • if in doubt, talk to an expert or search online for resources yourself (don’t believe any links the scammers send you).

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Open knowledge activism for lifelong learning, independent research and knowledge translation

By Clare O’Hanlon, La Trobe University Library

e: c.ohanlon@latrobe.edu.au

Open knowledge activism in libraries is about more than negotiating transformative agreements and making research available in repositories and open access journals. It also involves helping researchers and students give research back to communities in an accessible and meaningful format for their needs and contexts. Academic library worker support for student and academic digital literacies development, particularly information, media, and data literacies; collaboration; community and participation; and digital creation, problem solving and innovation, plays a crucial role in this. Local public library and community archive and museum workers provide extensive digital literacies, local history, STEM, and creative programming in their communities. Together we can do more to support lifelong learning, independent research, and knowledge translation.

Open knowledge activism by night

Volunteering with the Australian Queer Archives (AQuA) by night to preserve and make research and more knowledge available for and with LGBTIQA+ communities within and beyond the academy in multiple formats (from queer history walks and exhibitions to an Honours thesis prize and beyond) has helped me see that research can be a collective, generative, and transformative process. Our collection and work may not be open in traditional academic “Open Access” ways, and it is not safe for our collection to be completely open to all, but we are open in the inclusive sense of the word. In her Open as in dangerous talk, Chris Bourg illustrates the importance of individual privacy and protection from abuse and harassment, and warns that Open Access publishing can perpetuate existing systems of oppression and inequality and that opening up collections can potentially lead to a loss of context that is then extracted and shared in diverse ways. Bourg’s warnings and my work at AQuA by night motivate me to advocate for the collective, generative, and transformative kind of research and openness in the sometimes extractive and competitive academic environment I work in by day.

The Australian Queer Archives reading room
Australian Queer Archives reading room ready for visitors (author supplied).

Other ways that library workers can support open knowledge activism by night might include participating in learning spaces outside of universities, including but not limited to:

Open knowledge activism by day

Below are some ways I have helped and seen others help support lifelong learning, independent research, and knowledge translation through open knowledge activism by day:

Additionally, we could help connect academics and students with local public library, archive and museum-based STEM, local history, literary and creative programming rather than compete with such programs. Some examples of this public library and related programming include:

We must keep in mind the amount of labour involved in opening up research, translating it into practice, and making it accessible to communities and recognise that this is not always adequately acknowledged and supported. With increasing focus on research impact and engagement, this is changing, and I hope this post will encourage academic and public library workers to collaborate with each other and academics and students to open research with and for communities.

Large protest on Flinders Street in Melbourne with a trans flag and placard with the words 'Change the System' written in rainbow-coloured letters and two Aboriginal flags on it.
Protest in Melbourne (author supplied).

The OER Capability Toolkit – Reflection and Learning

by Frank Ponte, Manager, Library Services (Teaching), RMIT University Library

E: frank.ponte@rmit.edu.au or
LinkedIn: https://www.linkedin.com/in/francoponte/ and Twitter: @ponte_frank

The OER Capability Toolkit

Cover of the OER Capability Toolkit from RMIT

Read and download the OER Capability Toolkit from:
https://rmit.pressbooks.pub/oercapabilitytoolkit/

Eighteen months ago, I formed a team to investigate how we would address OER awareness, adoption, support and capability for teaching staff. We addressed these needs through the development of an OER Capability Toolkit designed for the RMIT University audience but shared openly for others to adapt.

The authoring and development of this work was conducted remotely in the shared Teams environment. The OER Capability Toolkit was published in July 2022. The published work also spawned a set of four open education self-directed modules via the university HR platform for onboarding of new staff and professional development, an authoring toolkit and a style guide. Collectively, these works are the fundamental building blocks to open education knowledge building and all designed to provide the support structure required for educators to successfully author an open work.

Building the OER Capability Toolkit allowed me to reflect on the process that was undertaken and share the learning from our project.  

Sustainability

Sustainability is key driver in the development of an open publication. Educators are tasked with bringing together large groups of authors, and consequently need to ensure clarity and purpose. Therefore, a strong foundation of support is required. The library has provided this through the aforementioned publications, self-directed modules, and the Pressbooks authoring platform. In addition, the library created an open publishing team to reinforce our commitment to open education, streamline the support the library provides, and assign each open textbook project an open publishing team member to provide advice and guidance for a successful outcome.

A publishing workflow

When we embarked on our project to develop the OER Capability Toolkit our understanding of an open publishing workflow was emergent. In retrospect, it would have been a simpler task if we had a clearer understanding of the fundamental principles, processes and tasks associated with publishing rather than vacillating between authoring and addressing complex problems. The subsequent emergence of the CAUL publishing workflow  now anchors our support with educators and ensures that the seven stages of publishing and associated tasks are addressed at the appropriate time.

Creative Commons licensing

The OER Capability Toolkit is a remix. That is, the publication is a combination of existing creative commons resources and original content. Lessons learned include:

  • Ensuring there is an understanding of the license type you are publishing under from the outset. This will determine what resources you have at your disposal and can use in the adaptation process.
  • Knowing a non-derivative license cannot be used in any adaptation.
  • Maintaining track of what was being used in the adaptation. Doing so, assisted in creating the reference list and acknowledging the original resource.
  • Reflecting on your level of comfort with releasing an open work. That is, are you happy for your newly created work to be adapted, remixed, or monetized.

Formative and summative assessments – H5P activities

H5P is a plugin available in Pressbooks which allows the author to create formative and summative assessment tasks for learners. There is evidence to suggest that this kind of interactivity assists learners to stay focused and engaged with the content.  I wanted to include these activities in the OER Capability Toolkit as learning and engagement was a critical element to building and delivering this work. The toolkit contains a number of H5P activities used as formative assessment and presents a summative assessment called the “open pedagogy plan” in Part 5 as the culmination of this learning.

Open publications that contain formative and summative activities have the capacity to be embedded within the context of a broader course curriculum and provide the flexibilities required for educators to engage with open pedagogical practices.

Referencing

Ensure that attribution and citation are clearly defined and articulated from the beginning.  Even though the terms share characteristics, citations and attributions play different roles and appear in different places. A citation allows authors to provide the source of any quotations, ideas, and information that they include in their own work based on the copyrighted works of other authors. It is used in works for which broad permissions have not been granted.

Attribution on the other hand is used when a resource or text is released with an open licence. This legal requirement states that users must attribute — give credit — to the creator of the work and encompass these critical elements at a minimum:

  • Title of the work
  • Author (creator) of the work
  • Source (link) or where the work can be found
  • License of the work

Peer review, front and back matter

Peer review was an important element to get right. We engaged in three rounds of peer review. Starting by reviewing each other’s chapters within the authoring group. This exercise provided an initial opportunity to assess, grammar, language, the use, or overuse of acronyms, and finesse language and comprehension. The second peer review involved an external cohort of colleagues from other Australian universities who provided a similar overview but from an external perspective. A third peer review was undertaken using a tool called Hypothe.sis. This tool is a plug-in in Pressbooks and allows for social annotation with students. It is also a useful tool to implement as part of a peer review process. All commentary is contextualized within the chapters and responses are received by email and easily edited.


Front and back matter was important to include as part of the publication process. Including the front and back matter provided completeness to the work and offered context to the reader. The front matter introduced the new work and helped the reader understand the evolution of its creation and the back matter included a glossary and appendix.

In conclusion

The open education philosophy seamlessly interconnects with RMIT Library’s ethos of sharing knowledge and supporting learning. RMIT Library is well positioned to work with academic staff to create, produce, and disseminate open works via open platforms for maximum impact, and the library as publisher, can lead and shape the transformation of curriculum pedagogy where every learner is supported and valued.

Power BI: Data Wrangling and Fish

Danielle Degiorgio, Digital and Information Literacy Project Adviser, Edith Cowan University Library
Sue Khoo, Librarian (Digital and Information Literacy), Edith Cowan University Library

What is Power BI?

Power BI is a Microsoft data visualisation tool that displays data in an easy-to-read format and allows users to interact and show relationships between different data sets.

Why Power BI?

Our goal was simple, we wanted to connect the mapping of digital and information literacy skills across the course curriculum to the teaching and learning activities we were doing each semester. We just had one problem, we were recording our data and statistics in multiple spreadsheets.

As luck would have it, the 2021 VALA Tech Camp was hosted at Edith Cowan University Library that year and we were introduced to Power BI through a series of workshops. Soon after we decided to use Power BI to help us keep track of student statistics in a more visually appealing way and it let us connect multiple sources of data. This meant we could compare, filter, and visualise relationships between multiple spreadsheets which allowed us, and more importantly our manager, to see our progress across courses.

Power BI: Visualisation of mapped digital and information literacy skills in courses.

Things we got Power BI to do:

  • Connect information from multiple spreadsheets to show how much digital and information literacy skills coverage we have in each course. 
  • Filter and display subsets of data. 
  • Be hosted in Microsoft Teams for ease of access where the report can be shared and displayed as a tab in Teams. 
  • Automatically update data from SharePoint, so having all our sheets hosted on SharePoint / Microsoft Teams mean we can easily add data into the model. Our Power BI reads directly from SharePoint files and updates at 9am every day.

Skills: What magic do you need?

  • Spreadsheet and table management – Power BI relies on external data. You must have the data cleaned and stored in a data source such as Excel (or databases such as Salesforce or Access).
  • Logic and relationship management – Connections can be 1-1 and 1-many but only one model may exist at a time. If there are conflicts Power BI will complain.
  • Ability to play with formulas and data types – If you need a relationship that isn’t expressed in the Power BI map you will need to learn to write the formula for it.
  • How to put together a graph – Knowing what graph suits your needs be it a scatter plot, ribbon chart, pie chart, or fish.
  • Professional Google skills – If something goes wrong, be ready to Google it!

Pitfalls: What to watch out for

  • A lot of trial and error and Googling – No training will prepare you for what you want to do. There may be things you want to do but Power BI only gives you the basic tools. You will have to build what you want from there.
  • Broken or dirty data – Power BI relies on relationships between different tables and inputs to build the model. If a piece of information is missing and if that is the connection in the model, it will skip that line. This has resulted in expectations not meeting what was displayed.
  • Know your data story – Power BI does not do data interpretation. You need to know what you want to tell. This is one of the main issues on the final display of information.
  • Permissions – Our shared spreadsheets and the dashboard were stored in places where we didn’t have full access to use. Arrange the files so each input has the right permissions to do SharePoint integration.

How do you get started?

But what about the fish?

The most important thing to remember is to be creative and have fun with your data!  

Power BI: Number of students seen per School using the Enlighten Aquarium visual. Enlighten Aquarium won a people’s choice award for the ‘Power BI Best Visual’ contest in 2016.

Creating video templates for shorter lead times and greater consistency in library tutorials

by Nicholas Rowsell, Digital Library Programs Officer, University of Newcastle Library

A challenge in creating anything across a team, or to a greater extent an institution, is ensuring that when content is created there is a consistent design language, and when adhering to this requirement, efficiencies are not lost.

To communicate your ideas with this purpose in mind, content should be:

  • aligned to brand positioning,
  • consistent between digital objects,
  • as equitable and accessible as possible
  • solutions should match your team’s abilities
  • lean into established processes when adding something new.


In wanting to establish new processes for the creation of a video tutorial series for the University of Newcastle Library, these were the considerations we had to address.   

Our solution was to create a series of templates for video creation programs such as Powtoon and Microsoft PowerPoint. By providing content creators with a series of template slides they are quickly and easily able to copy a slide and insert the content they need to present, with all the animations, transitions, and formatting completed for them ahead of time. All that is then required is for the team member to render the slides to create a video. The positive implications of this are that videos are highly sustainable and scalable, as content can be edited or updated on the slides and re-rendered as needed to reflect an updated syllabus, changes in technology or services, and so on.

So how did this solution come about?

Alignment with brand positioning

Our priority in creating a new video series was to align the look and feel of content to the University’s Brand Guidelines. This meant ensuring that our team members used the correct typography, colours, shapes, and images.

We quickly identified this as a pain point as the time taken to set up a file, create a design, then undertake a quality assurance check distracted from the goal of the content being created and released.

This is where our solution to create video templates first came about.

Leaning into existing practices

One of the first lessons learnt in our solution was to lean into what the team was already doing and what they were familiar with. This was done by learning from our mistakes and pivoting where needed. Our first approach was to implement the template solution in Microsoft PowerPoint; we did this as we knew the team had great digital capabilities with this program so that asking them to perform a new process in the application was straightforward.

What we overlooked was that the team was already very invested in using PowToon for video creation.  This did not create a major roadblock, however, as we were able simply to import the templates from PowerPoint into PowToon.  But time could have been saved had we been more perceptive to our team’s existing preferences from the get-go.

One solution leading to opportunities for continuous improvement

With greater efficiencies created, the team become time richer. This, in turn, presented an opportunity to introduce consistent practices. This opportunity was to make our videos more equitable and accessible, by adding in Closed Captions embedded within the videos, to aid students who don’t have English as a first language, or have a hearing impairment.  We can also introduce the use of Alternative Text sheets for download in the notes field below the videos, which can be used by screen readers.

A scalable, sustainable solution for higher quality resources

As our development of videos as digital learning objects continues, the team can rely on the sustainability and scalability of the slides to easily update content which is engaging and relevant, ensuring we can continue in our endeavour to provide high quality online information literacy resources.

Students are told not to use Wikipedia for research. But it’s a trustworthy source

by Rachel Cunneen, Senior Lecturer in English and Literacy Education, Student Success and LANTITE coordinator, University of Canberra and Mathieu O’Neil, Associate Professor of Communication, News and Media Research Centre, University of Canberra

Disclaimer: This post was originally published in The Conversation under a Creative Commons licence and is used with the authors’ permission.

At the start of each university year, we ask first-year students a question: how many have been told by their secondary teachers not to use Wikipedia? Without fail, nearly every hand shoots up. Wikipedia offers free and reliable information instantly. So why do teachers almost universally distrust it?

Wikipedia has community-enforced policies on neutrality, reliability and notability. This means all information “must be presented accurately and without bias”; sources must come from a third party; and a Wikipedia article is notable and should be created if there has been “third-party coverage of the topic in reliable sources”.

Wikipedia is free, non-profit, and has been operating for over two decades, making it an internet success story. At a time when it’s increasingly difficult to separate truth from falsehood, Wikipedia is an accessible tool for fact-checking and fighting misinformation.

Why is Wikipedia so reliable?

Many teachers point out that anyone can edit a Wikipedia page, not just experts on the subject. But this doesn’t make Wikipedia’s information unreliable. It’s virtually impossible, for instance, for conspiracies to remain published on Wikipedia.

For popular articles, Wikipedia’s online community of volunteers, administrators and bots ensure edits are based on reliable citations. Popular articles are reviewed thousands of times. Some media experts, such as Amy Bruckman, a professor at the Georgia Institute of Technology’s computing centre, argue that because of this painstaking process, a highly-edited article on Wikipedia might be the most reliable source of information ever created.

Traditional academic articles – the most common source of scientific evidence – are typically only peer-reviewed by up to three people and then never edited again.

Less frequently edited articles on Wikipedia might be less reliable than popular ones. But it’s easy to find out how an article has been created and modified on Wikipedia. All modifications to an article are archived in its “history” page. Disputes between editors about the article’s content are documented in its “talk” page.

To use Wikipedia effectively, school students need to be taught to find and analyse these pages of an article, so they can quickly assess the article’s reliability.

Is information on Wikipedia too shallow?

Many teachers also argue the information on Wikipedia is too basic, particularly for tertiary students. This argument supposes all fact-checking must involve deep engagement. But this is not best practice for conducting initial investigation into a subject online. Deep research needs to come later, once the validity of the source has been established.

Still, some teachers are horrified by the idea students need to be taught to assess information quickly and superficially. If you look up the general capabilities in the Australian Curriculum, you will find “critical and creative thinking” encourages deep, broad reflection. Educators who conflate “critical” and “media” literacy may be inclined to believe analysis of online material must be slow and thorough.

Study set up with open laptop, open book, pen and coffee mug
Photo by Nick Morrison on Unsplash

Yet the reality is we live in an “attention economy” where everyone and everything on the internet is vying for our attention. Our time is precious, so engaging deeply with spurious online content, and potentially falling down misinformation rabbit holes, wastes a most valuable commodity – our attention.

Wikipedia can be a tool for better media literacy

Research suggests Australian children are not getting sufficient instruction in spotting fake news. Only one in five young Australians in 2020 reported having a lesson during the past year that helped them decide whether news stories could be trusted.

Our students clearly need more media literacy education, and Wikipedia can be a good media literacy instrument. One way is to use it is with “lateral reading”. This means when faced with an unfamiliar online claim, students should leave the web page they’re on and open a new browser tab. They can then investigate what trusted sources say about the claim.

Wikipedia is the perfect classroom resource for this purpose, even for primary-aged students. When first encountering unfamiliar information, students can be encouraged to go to the relevant Wikipedia page to check reliability. If the unknown information isn’t verifiable, they can discard it and move on.

More experienced fact-checkers can also beeline to the authoritative references at the bottom of each Wikipedia article.

In the future, we hope first-year university students enter our classrooms already understanding the value of Wikipedia. This will mean a widespread cultural shift has taken place in Australian primary and secondary schools. In a time of climate change and pandemics, everyone needs to be able to separate fact from fiction. Wikipedia can be part of the remedy.


Would you like to contribute to our blog?

If you have ideas, or if you would like to contribute posts directly, drop us a line at DigitalDexterityBlog@caval.edu.au.

Being digitally copyright dextrous: stock video content

by Anthony O’Brien, Copyright Advisor, University of Newcastle. Contact: copyright@newcastle.edu.au

Vector graphic image of man in a shirt and tie standing next to a Copyright icon

This is the third post in a series that will look at considerations for copyright as part of being digitally dexterous.  Copyright is an important consideration when reusing any content. 

Stock videos are becoming more important as creators look to change up the materials they provide for learners and clients.  There are a number of ‘free’ stock video sites that make content available for reuse.  This post will discuss copyright/licensing and other important considerations when choosing a site.

What to look for in a stock video site?

  • Quality/resolution – Your needs may vary, but aim for videos of the highest quality possible (min. 720p).  Some sites will offer 4K resolution, but you may find a trade-off with the selection of videos available.
  • Video format – most sites provide MP4 files, but some offer alternate formats.  Consider the creation or editing software you have available.  Converting files between formats can cause loss of quality.
  • Licensing – ‘Free’ licensing can vary wildly.  Certain licences may not allow you to post to YouTube, for example, but internal use/hosting could be OK.
  • Look/feel – a number of sites are either difficult to navigate, have limited searching/filtering options, or swamp site users with ads.
  • Selection – Video collections can vary so do some test searches to see what might be a good fit.  Having a few sites bookmarked will help as you may not find the ‘perfect’ site for all of your searching needs.

Looking for videos that are ‘ready-to-use’

While Creative Commons (CC) licensing is still common for some video content, the majority of stock video sites apply their own licensing that can have additional caveats for re-use.  Some require particular attribution or copyright statements, so always check what you’ll need to do for their video content.  At the end of this post are four recommended stock video sites to help get you started. 

How should I provide attribution for videos that I use?

This will vary based on the licensing – always check if there is a required statement to provide credit or a link.  Some sites do not require attribution, but appreciate it where possible to include.

Where you are adding credit, you could do this on a short-duration slide at the end of your video content.  If posting to YouTube, adding links in the Description field is good practice.  Some creation platforms, such as H5P, include a ‘rights’ option to collect and showcase this information.

What if I’m adding a Creative Commons licence to my final work?

Where external content forms part of your work, when attaching CC licensing you should also add a copyright (or ownership) statement for any re-used or reproduced content.  By adding these statements (in addition to your CC licensing information) users will have a clearer understanding of what content is outside any CC licensing applied to the work. Your institution’s copyright office may be able to assist with this.

Four recommended sites:

  • Mixkit – searching is easy and there is great filtering by category.  Videos tend to have useful framing (left- or right-aligned) that allows for easy addition of text or other materials over the video content.  Many videos have free licensing where attribution is not required (but is appreciated).  Note: there are some videos with ‘restricted’ non-commercial licensing that doesn’t allow for posting to YouTube due to the ability to monetise videos.
  • Pixabay – one of the best sites around for free media.  Lots of different videos and a great choice if you’re looking for abstract or ‘interesting’ video backdrops.  Free licensing, where attribution is not required (but is appreciated). 
  • Coverr.co – this site often creates topical collections based on what’s happening in the world, e.g. working from home, cryptocurrency, etc.  Also offers vertical videos for social media.  Free licensing, where attribution is not required (but is appreciated). 
  • Dareful – Video footage in 4K resolution.  Lots of landscapes and drone footage, but other collections are growing.  Videos are licensed under CC BY 4.0, so attribution is always required.

Libraries on social media: Creating communities of practice for sharing and communication

By Rida Noor Malik, Matihiko/Tech Support Librarian, Hamilton City Libraries| Te Ohomauri o Kirikiriroa librariesdigitalteam@hcc.govt.nz

The term ‘social media engagement’ has been described as click based participation (Gerlitz & Helmond, 2013) where users simply ‘like’ or ‘heart’ a post. But do the number of likes and comments actually show engagement? Students and librarians create an online community of practice when they visit academic libraries via social media to “share, discuss and learn” (Wenger, 1998, p.34). This translates to ‘engagement’ with the library, its resources and activities through social media.

Photo by Daria Nepriakhina on Unsplash

Several research studies measure the impact of the type of content on social media. Joo, Choi, and Baek (2018) explored the kinds of social media content that public libraries create for communication. Their sample of 4736 Facebook posts collected from 151 libraries across America were divided into ten categories. The results showed that promoting events was the most used category by all public libraries. For my research study, I collected three months of Facebook and Instagram posts from Auckland University of Technology Library and Massey University Library. When I analysed these posts, promotion was also the top category for both New Zealand academic libraries.

Promotion has always been a major focus of both academic and public libraries’ social media pages. However, promotional type posts can be combined with content which facilitates informal learning opportunities. These opportunities are a way of softly marketing that your academic library has a brand with a goal to promote research and share knowledge. Libraries can focus on creating content where students get opportunities to engage with librarians. For example, Powell Library at University of California goes beyond the occasional photo on Instagram and incorporates content that emerges from the curriculum (Salomon, 2013). If we look for an example closer to home, Massey University has recognized that Instagram can be a fun learning and teaching tool for them and their students. This is evident from the Kupu O Te Wiki (Word of the Week) posts which are focused on teaching Te Reo Māori (the Māori language). These posts got different types of comments, such as students thanking the library, asking for Te reo classes and general comments where people tagged other students (Malik, 2019).

There are many ways to educate users through social media because there is a rapid growth in online learning options. For example, Facebook groups can be used for asynchronous discussions which are helpful in holding group activities and online workshops. Libraries can also use participatory features of social media to start conversations, invite users to comment, or take part in polls to deliberately ask for user’s opinions, feedback and questions. This can be useful for engaging users in collection development, improvements to library spaces, and other operational activities. The response from users can help to determine the reputation of the library within the university (Mon, 2015).

Simply promoting services does not create a vibrant community of practice. When libraries use social media for mass communication, users become passive viewers instead of active contributors. Therefore, promoting conversations and knowledge sharing can help form a community that evolves naturally. For example, Hamilton City Libraries often engage with their library users in a humorous way but it has also opened up a window for getting feedback. According to Wenger (1998) a strong sense of community is important for building the trust needed to safely share opinions and ideas. Using social media while keeping in mind the communities of practice guidelines can provide a context in which to put the power of ‘sharing and communication’ to engage a community.

References:

Gerlitz, C., & Helmond, A. (2013). The like economy: Social buttons and the data-intensive web. New Media & Society, 15(8), 1348-1365. https://doi.org/https://doi.org/10.1177/1461444812472322

Joo, S., Choi, N., & Baek, T. H. (2018). Library marketing via social media: The relationships between Facebook content and user engagement in public libraries. Online Information Review, 42(6), 940-955. https://doi.org/doi:10.1108/OIR-10-2017-0288

Malik, R. (2019). Using social media for student engagement: A study of two New Zealand academic libraries [Master’s project, Victoria University of Wellington]. Te Herenga Waka. http://hdl.handle.net/10063/8201

Mon, L. (2015). Social media and library services. San Rafael, CA: Morgan & Claypool Publisher.

Wenger, E. (1998). Communities of practice: Learning, meaning, and identity. New York, NY: Cambridge University Press

Growing Open Educational Practice with OER grants

Angie Williamson, Program Coordinator (Open Education), Deakin University Library, angie.w@deakin.edu.au.

During 2021, Deakin University commenced a grant program, coordinated by the library in conjunction with the Pro Vice-Chancellor, Teaching and Learning, encouraging academic staff to explore Open Educational Resources (OER) for teaching and learning. OER are free resources that are made available with a Creative Commons licence. OER include resources such as textbooks, quizzes, videos, even full courses that are reusable and adaptable to teaching and learning needs. These resources can be modified to include local content making these more contextual and representative of the students and the local environment.

The grant program forms a major part of the Inclusive digital environments project aimed at raising awareness of OER and developing capabilities in staff to use and create OER. OER have been around for 20 years but the use of OER in Australia has had a slow start. Overseas higher education institutions have been very active in this space often supported with grants from government bodies or foundations such as the Hewlett Foundation. In 2020, the Californian governor announced a $115 million commitment to OER. Universities and colleges highlight savings made by students in textbook purchases and this can add up substantially. In Canada, BCCampus has saved students over $20 million with open textbooks since 2012. Higher education institutions overseas develop Zero degrees where student have no costs for instructional resources for their entire course. OER textbooks not only benefit students with reduced costs but also by removing barriers in access to resources. The use of OER has been shown to increase student success and retention (Colvard, 2018) as students have access to the materials from day one of their study and can access the resources when they need them without limitations. The necessity to move higher education online in the pandemic has increased awareness of OER (McKenzie, 2021) and open pedagogy for teaching and learning. This program at Deakin will not only increase the usage of OER, but also contribute to the revision of existing resources to include Australian Content and facilitate the creation of additional Australian resources.

This inaugural OER grant program at Deakin enabled staff to explore the OER environment to locate, use or create resources for their teaching. As this was the first time these grants had been on offer, we were unsure of the level of interest. Not solely focused on textbook replacements, the program also encouraged creativity to fill a gap in available teaching resources that would result in the creation of an open resource. Applications were sought for the OER grants in June 2021 with 11 applications accepted. The successful applications displayed a diversity of concepts and covered a range of OER usage and creation projects including textbook replacements and the creation of resources.

Replacing a current textbook with an OER textbook was the focus of a number of the projects and will result in substantial saving for students. In one of these projects, the current textbook retails for about $180 and student numbers are over 1,000 per year. For projects aiming to replace a textbook, this necessitated locating resources and evaluating if they fulfilled the needs of the unit. Some OER textbooks have ancillary resources such as videos, question and exercises available to support their usage. Some required the creation of content to fill gaps or the remixing of numerous OER to create a resource tailored to the required learning. Another current project focuses on the updating of an existing OER textbook and developing of new activities to support it.

Other projects identified gaps in available resources and sought to create an open resource to fill the need. These include:

  • The creation of Australian case studies in Human Resource Management
  • An extensive resource developed to assist students in reading MRI scans for the study of anatomy
  • The development of an online book introducing the assessment potential in play-based approaches
  • A 3D interactive tour of a building to support construction management students in experiencing the behind-the-scenes functions in buildings inspired by COVID restrictions in access.

Some projects also embraced the wider concept of open. One project focused on student motivations and concerns and created a series of videos of students discussing these aspects of study. Another project combined open software and OER by moving to an open source software for statistical analysis. The associated open book will be adopted as the textbook and supporting activities developed, replacing an expensive textbook prescribed to around 2,000 students per year.

We all know that 2021 was challenging for higher education in Australia in many ways. With the OER program commencing in June, participants experienced almost a perfect storm of impediments. Extended lockdowns and additional student needs due to COVID, working from home challenges, fully online teaching and major organisational changes all impacted the delivery of the projects. Through this challenging time, participants appreciated having a positive project to focus on and even with these challenges, one project commenced using an early version of the resources in teaching a trimester earlier than planned! We learned that OER projects take time to develop, with the development and implementation of the resources to continue through 2022.

The program coordinated by the library included offering grant recipients OER training, hosting a Community of Practice and establishing a Teams site to facilitate knowledge sharing and as a forum for discussion. Discussing OER related topics such as accessibility, open pedagogy, copyright and licencing, the Community of Practice sessions provide a forum for the program participants to discuss their progress, ask questions and gain understanding of OER concepts. Detailed copyright advice was also provided by the copyright team. A website has been created to highlight the program with the purpose of providing access to the created resources when they are available.

window with a multi coloured flourescent sign hanging in it saying open.

Further details of the projects are available on the Open Educational Resources Grants 2021 website.

Image by Viktor Forgacs on Unsplash

References:

Colvard, N. B., Watson, C. E., & Hyojin, P. (2018). The Impact of Open Educational Resources on Various Student Success Metrics. International Journal of Teaching & Learning in Higher Education, 30(2), 262-276.

McKenzie, L. (2020, August 13). Window of opportunity for OER. Inside Higher ed. https://www.insidehighered.com/news/2020/08/13/pandemic-drives-increased-interest-open-educational-resources


Stretching my digital dexterity through ECU Library Digital and Information Literacy

By Liz Grzyb (MEd student, Charles Sturt University)

As part of my study for the MEd (Teacher Librarianship) course online at Charles Sturt University, I was required to complete a Professional Work Placement at a library. I am already working in a high school library, so I approached the Edith Cowan University (ECU) Library as I was interested in seeing the differences between secondary and tertiary/academic libraries.

I was lucky enough to be teamed up with the delightful Danielle Degiorgio in Digital & Information Literacy (DIL), as I had identified digital services and information literacy as some of the areas I would like to find out more about. My prac has been literally book-ended with Digital Dexterity – I began by sitting in on an online DigiDex meeting and it will end with this blog post!

During my time at the library, I have spent time talking with many experts on various different aspects of how the library is run. Many of these discussions were about information literacy (IL) and digital literacy (DL). IL in a university library has similarities to my experience in a school library, but it also has many more layers due to the variation in focus and intensive research needs of the users.

I had not realised until I arrived at ECU that the university is e-preferred, so I was surprised at the huge number of electronic resources the library facilitates, and how much digital literacy pre-loading was needed when introducing new students to the university. The Orientation Week workshops that are being planned cover introductions to many of the learning tools used by the university and the library will help to clear barriers to study. It is such an important service to ensure equity for students.

I have spent a lot of my working time this week looking into Open Educational Resources (OERs). Before this prac I did not know they were a ‘thing’, but I have found out that they are incredibly important for equity in education and life-long learning. I have unearthed a number of new-to-me databases and providers of open resources specifically for assisting learning or for information-gathering. I can see that this process will help me to support teaching staff at my school as well as expanding my own teaching strategies.

The image depicts a younger and an older humanised notebooks sitting on a bench. The older notebook has a cane. Both notebooks are looking at a laptop the younger notebook is holding. The laptop says OER on it. There is also an empty thought bubble above the notebooks.
Image by Manfred Steger from Pixabay

If, like me, you have not used OERs much before, here are a few places you might start investigating resources for your area:

Many of the OER databases are weighted to overseas resources, so it is wonderful to see that the DigiDex educators have a group bringing home-grown resources to the table. (https://www.oercommons.org/groups/digital-dexterity-educators/5554/)

The DIL team have been wonderful to spend my placement with, and I thank them profusely for their generosity in helping me to gain experience in their area of knowledge. Everyone I spoke with at DIL had amazing dedication to information and digital literacy for students – they were focused on providing workshops, services, and resources accessible to all. I have lots of new ideas to spring on my unsuspecting colleagues and students this year!